Mahalaya: Some Mornings Never Leave You
Memories, Mysticism, Music, and a Cup of Tea
Mahalaya has always been a day steeped in memories, carrying with it an unmistakable air of mysticism and mystery. And no, it isn't because of the rituals associated with the day. For me, the magic has always lain in that early morning ritual of listening to Mahishasura Mardini—the beautiful compilation of devotional songs by Bengali singers, interspersed with the chanting of Sanskrit shlokas in the mesmerising voice of the late Birendra Krishna Bhadra.
As a little girl, I would often feel irritated by the hustle and bustle in the house at four in the morning. Yes, you read that right! Four in the morning, when the rest of the world was still fast asleep, our household would come alive with activity.
The alarm would ring ten or twenty minutes earlier, summoning the women of the house to the kitchen. Tea had to be prepared for everyone, and flasks filled with the steaming brew for later. I remember how bitterly cold those early mornings could be in Jammu and Lucknow. We would snuggle beneath our quilts and blankets, sipping hot tea, while the unmistakable voice of Birendra Krishna Bhadra filled the room.
I could never quite understand the excitement. Why were the elders so eager to wake up at such an unearthly hour to listen to what, to my young ears, sounded like a collection of old songs and unfamiliar mantras? I would wonder what was so special about it all.
Little did I know that one day, I would find myself yearning for those very mornings.
As I grew older, something changed. I began to understand the rhythm of our culture, the significance of our traditions, and the emotions woven into rituals that had been passed down through generations.
Mahalaya marked the beginning of Devi Paksha and heralded the arrival of Maa Durga. For us Bengalis, it is the much-awaited Agomoni, the homecoming of the Goddess. We believe that Maa Durga comes to visit her parental home, accompanied by her four children, and we welcome her with immense joy, devotion, and fervour.
It is a homecoming that resonates with every daughter who has ever returned to her parents' home, carrying with her the memories of childhood, the comfort of belonging, and the warmth of unconditional love.
Perhaps that is why Mahalaya has always felt so deeply personal.
By the time I reached my teenage years, I had become a willing member of the early-morning gang. Setting the alarm, waking up before dawn, making tea, and then tucking myself beneath the blankets with my parents, sibling, cousins, uncles, and aunts became part of the ritual.
The familiar strains of the Chandi Path, the songs, and the powerful chanting no longer sounded strange. By then, I knew many of the verses and songs by heart. They had become a part of me, as familiar as the faces around me and as comforting as the warmth of the tea in my hands.
And then there was Birendra Krishna Bhadra.
His voice had a magic of its own. There was something haunting, powerful, and almost otherworldly about the way he recited the shlokas. His intonations, the pauses, the cadence, and the sheer intensity of his voice filled me with curiosity and wonder. Even as a young girl, I found myself fascinated by the man behind that extraordinary voice.
To this day, the opening strains of Mahishasura Mardini have the power to transport me to another time, another home, another version of myself.
Of course, Mahalaya was only the beginning of the festivities. The day would be spent preparing for what lay ahead, and the days that followed were filled with anticipation and celebration.
Having been born and brought up in North India, I have a special place in my heart for the Navratri festivities as well. The memories of Kanjak Puja, the halwa-chana-puri prasad, the little girls dressed in their festive finery, and the goodies distributed afterwards bring with them a nostalgia of an entirely different kind.
Then came Durga Puja, Lakshmi Puja, Diwali, and so much more.
Festivities galore, traditions intertwined, and a childhood enriched by the beauty of belonging to more than one cultural world!
Growing up, I never quite realised how precious these experiences were. They were simply a part of life, woven into the fabric of our everyday existence. It is only with the passage of time that one understands how deeply these little rituals shape us, how they become the invisible threads connecting us to our roots, our families, and our past.
And now, life has taken me in a different direction. I am married into a Punjabi family, and while I have embraced the traditions and celebrations of my marital home, I have never forgotten my Mahalaya.
For the first two years after marriage, I continued to wake up at four in the morning to listen to the recital on the radio. Then my husband, perhaps understanding how much this tradition meant to me, bought me CDs so that I could listen to it whenever I wished.
And I did.
Year after year, I would sit by myself in the quiet of the early morning, listening to the familiar chants and songs, allowing the music to wrap itself around me like an old, comforting shawl.
Today, technology has made things easier. Friends forward the recordings, and YouTube is always there to bring the magic alive. All I need to do is press play.
And just like that, I am transported back in time.
The songs that once sounded like old melodies to a little girl now feel wonderfully fresh. The shlokas that once seemed mysterious have become familiar companions. And the voice of Birendra Krishna Bhadra continues to cast its timeless spell.
Isn't it strange how something can remain unchanged for decades and yet feel entirely new each time we return to it?
Perhaps it is not the music that changes. Perhaps it is we who change, gathering experiences, losing people, making memories, and discovering meanings that had once escaped us.
This Mahalaya was no different.
As I listened to the familiar recital once again, I found myself remembering Maa, Bapi, my aunts and uncles, my cousins, and all those who had been a part of those beautiful mornings. Some are no longer with us, their voices silenced by time, while others are still here, carrying their own memories of those days.
For a few moments, the distance between then and now seemed to disappear.
I could almost see us all gathered together, wrapped in quilts against the cold, holding steaming cups of tea, listening intently as the voice of Birendra Krishna Bhadra filled the room. I could almost hear the familiar sounds of the household waking up, the gentle conversations, the rustling of blankets, and the quiet excitement of a family sharing something precious.
And somewhere in the midst of it all was the little girl who did not understand why everyone was so excited about waking up at four in the morning.
If only I could tell her how much she would miss those mornings someday.
If only I could tell her that the people she took for granted would one day become the faces she would search for in her memories. That the voices she heard every day would become treasures. That the warmth of those shared moments would one day mean far more than the rituals themselves.
But perhaps that is how life works.
We live through moments without realising that they are quietly becoming memories. We complain about the cold, the early mornings, the interruptions to our sleep, and the routines we believe will continue forever. And then, one day, we find ourselves longing for precisely those things.
Time moves on, homes change, families grow, and people leave us. But some memories refuse to grow old. They remain tucked away in the heart, waiting for a familiar song, a forgotten fragrance, or a special day to bring them back to life.
For me, Mahalaya is one such day.
It is no longer merely about the arrival of Maa Durga or the beginning of the festive season. It is about roots, relationships, belonging, and the people who made my childhood what it was. It is about a culture that continues to live within me, irrespective of where life has taken me. It is about remembering those who are no longer around and feeling grateful for those who still are.
And, of course, it is about that warm cup of tea, cradled between my palms on a chilly morning, as the familiar strains of Mahishasura Mardini fill the air.
Every year, I listen. Every year, I remember. And every year, I discover something new in what has always been familiar.
Perhaps that is the true magic of tradition. It allows us to return to our past without having to leave our present behind. It reminds us of who we were, celebrates who we have become, and keeps us connected to the people and places that helped shape us.
So, as another Mahalaya passes, I carry my memories with me-with a heart full of gratitude, a hint of melancholy, and a smile that comes from knowing that some bonds are never really broken.
They live in the songs we remember, the rituals we continue, the stories we tell, and the love that time cannot take away.
Some days become memories. Some memories become a part of who we are. And some mornings, no matter how many years go by, never really leave us.
Mahalaya is one such morning for me.
And as I take another sip of my tea, I smile, close my eyes, and let the magic begin all over again. πΊπ
©®Madhumita